Masters in acting

Master in Creative Performance Practice (ACTING)

Overview

Programme Name

Master of Arts in Creative Performance Practice (Acting)

Duration

1 Academic year

Language

English

Programme Leader

Validated by UK University

Exploring the methods and processes of actors to be able to create, work and interact in the contemporary international environment

Programme availability

MA in Creative Performance Practice (Acting) is a practical, performance, and research-based programme. It provides a solid critical and theoretical framework while offering substantial opportunities for individuals to tailor their artistic practice to their own needs and aspirations within a challenging interdisciplinary context.

Students will have the chance to interpret and perform in both traditional and non-traditional texts and settings, including theatre, site-specific and site-responsive locations, museums, black-box theatres, and more. They will employ both conventional and innovative techniques, collaborating with external artists such as directors, mentors, and coordinators.

The programme emphasises diverse performance formats, including full productions, sharings, open rehearsals, rehearsed readings, studio-based presentations, and final projects, with students participating in approximately 10 performances per year.

What is creative performance practice?

“Creative Performance Practice is an open artistic discipline that emphasises not only the final product or production but also places equal importance on the creative processes, personal and individual growth of the artist. It focuses on helping artists find their unique voices, fostering experimentation, pushing boundaries, exploring new languages, driving innovation, and encouraging collaboration and interdisciplinarity across various fields, including acting, theatre, MT, music, audiovisual arts, literature, and writing.

At the same time, it remains conscious of the importance of repertoire and the ability to work within traditional frameworks as a in interpreter, director, singer, writer”.

Structure of the master

Our Master in Acting is part of one of the two specialised pathways that forms part of the Master in Creative Performance Practice. The others include is Music Theatre. The masters is made up of 120 core credits which are the shared modules. The specialism acting credits are an additional 60 credits and are made up of The Embodied Actor, The Contemporary Actor and Transmedia and Interactive Storytelling.

Shared Modules*
Acting specialism

*These modules are shared with the music theatre specialism

Through the module, students will be introduced to a range of theatre texts and forms from a variety of genres and periods, and will be asked to explore, evaluate, and interrogate these through practice; thereby broadening their theatrical vocabulary and developing their abilities to recognise dramatic / theatrical potential within such texts and in other cognate forms of theatre and performance.

Through this process, which will include studio exercises, independent analyses, and workshop sessions, the student will be expected to investigate and recognise their individual qualities as an actor; and will be supported in developing a range of acting techniques to strengthen their individual acting profile. 

The module also includes a voice and movement component.

Students will be introduced to a range of theatre texts and forms from the contemporary theatre and performing arts environment. Specifically works – such as new writing, contemporary texts and scripts, post-dramatic plays etc. – will be explored, evaluated, and interrogated through practice with an advanced level of theoretical and critical understanding. Contemporary theatrical vocabulary and repertoire will be used to develop actors’ abilities to recognise dramatic / theatrical potential within such texts and in other cognate forms of theatre and performance.
 
Through this process (which will include studio exercises, personally driven analyses, and workshop sessions), the student will be expected to investigate and recognise the quality of “the contemporary actor”, able to work in different contexts, areas and interacting with different kinds of contemporary material.

The module will focus on contemporary uses of and the interactions between performance, alternative performance practices, interactive techniques, the digital space, and transmedia story telling. Importance will be given to the interactions and relation between European and non-European traditions from the perspective of global and decolonised performance.

Who is this MA AIMED AT?

This programme is designed for those ready to immerse themselves in a rich, dynamic, and collaborative environment, contributing to and benefiting from a diverse community of artists and creators.

While you should have a strong interest in Acting and MT, we are not looking for someone whose focus is limited to these areas. You should also have diverse interests such as literature, cinema, film, music, the arts, politics, and beyond.

Be prepared to approach the programme not just as a student but as an artist-in-training, with the willingness to work independently and collaboratively under the guidance of mentors or team leaders.

Be enthusiastic about interacting with professionals through curricular and extracurricular activities, including workshops and seminars.

Demonstrate a readiness to explore your own practice as well as that of others, embrace challenges to your frameworks, and work effectively under pressure.

View conventional training as only one component of the MA programme while recognizing the importance of creative exploration.

Be equally interested in Acting/MT and in creating performances, encompassing various roles such as writer, director, and performer.

Be willing to share your experiences and engage with individuals from diverse backgrounds.

Foster an attitude of embracing and respecting others’ perspectives and practices.

Be ready to generate substantial creative material across various performing arts fields, including playwriting and directing.

Make the most of the opportunities available during your time at the Institute of the Arts Barcelona (IAB). View the facilities and venues as resources to create, akin to an artist-in-residence.

Those with little or no prior experience in acting who want to learn the basics of performance, voice, and movement.

Those with little or no prior experience in acting who want to learn the basics of performance, voice, and movement.

Those with little or no prior experience in acting who want to learn the basics of performance, voice, and movement.

Those with little or no prior experience in acting who want to learn the basics of performance, voice, and movement.

Guest directors
Cosmin ChivuAcademic and Director – 🇺🇸🇷🇴
Cosmin Chivu has been recognized as an outstanding vital force in the theatre world and has received multiple awards for his work. He is a New York based theatre director born in Romania and has directed over fifty professional and university productions in America, Austria, England, Germany, Greece, Italy, Romania, and Thailand. He is the founder of InterArt Theatre Group. Ion-Cosmin Chivu is currently the Head of BA Acting and Directing, International Performance Ensemble at Pace University Performing Arts, NYC. He is actively involved in developing new work and in translating contemporary European plays for an American audience. For four years he has been developing new plays in the Actors Studio’s Playwriting Directing workshop.
Marc Chornet Director, 🇪🇸
Marc Chornet is the leader of the prominent theatre group Projecte Ingenu and artistic director of the Escenar J. Brossa in Barcelona. Among his directed plays Romeu i Julieta and Hamlet by Shakespeare, together with a stunning revisitation of The Tempest, Top Girls by Caryl Churchill, Yerma by Garcia Lorca, InFaust from Marlowe and Goethe, No obstant això… by Josep Maria Muñoz Pujol.
Giovanni MeolaPlaywright and Director, 🇮🇹
Giovanni Meola is a renowned playwright, scriptwriter, theatre and film director, teacher and festival artistic director. His works and productions have been translated into a number of languages and in 2003 he set up a new theatre company, Virus Teatrali, to produce new writing and rework established classics. In 2016 Giovanni directed his own work “The day of the degree” which was premiered at the Italian National Theatre. In 2018 he directed the first ever staging of the “The Trilogy of Indignation” as a complete trilogy and it premiered at the International NTFI Festival.
Darko LukicAcademic, Theatre Consultant, Cultural Manager Translator and Playwright, 🇭🇷🇩🇪
Darko Lukic is a Croatian theatre scholar, writer, cultural theorist and playwright with many conference appearances. He has held a number of key cultural posts including membership of the Croatian Ministry of Culture Cultural Council for Performing Arts, Presidency of the Theatre Committee for the city of Zagreb and of the Croatian Cultural Council for International Co-operation Ministry of Culture and a member of PEN International. His plays, ballet libretto’s and dramatic adaptions have been staged in Bosnia and Herzegovina, Serbia, Croatia, Spain, Poland, United States, Venezuela, Germany and Romania.
Vipin SharmaActor and Director, 🇮🇳🇨🇦
Vipin Sharma is a prominent Indian film actor known predominantly for his work in Hindi cinema. He is an alumnus of National School of Drama, New Delhi, India and the Canadian Film Centre, Toronto, Ontario, Canada. Vipin is best known for Taare Zameen Par (2007), written by Amole Gupte and directed by Aamir Khan, where he played the role of a dyslexic child's father. He was last seen in the popular web series 'What The Folks' produced by Dice Media, which ended up being one of India's most successful digital shows of 2017.

How to apply

1. Submit your application

To apply for our MA in Creative Performance Practice, you must submit an application and select which audition you would like to attend.

2. Attend the audtition

What does the audition consist of?

Required videos (Prior to the audition)

Part 1: Depends on specialisation:

  • Acting: One monologue + optional monologue in your own language
  • Music Theatre: One monologue + one song + 60-second jazz dance piece

Part 2: Creative response to stimuli:

A creative response of about 2 minutes to one of the stimuli listed in the audition guide.

One-to-One Interview

Online interview and discussion with yourself and members of the MA teaching team.

3. Wait for the result

The audition results can take up to 4 weeks to process.

Useful information
Fees & Funding

Our tuition fees are made up of a number of different components and are determined by your nationality, country of residence and programme of study.

European Union, EEA or uk Fees

ANNUAL TUITION FEES

Additional annual fees:

  • €500 – Non-refundable registration fee
  • €80 – IAB Health Clinic membership
International
Fees

ANNUAL TUITION FEES

Additional annual fees:

  • €500 – Non-refundable registration fee
  • €80 – IAB Health Clinic membership
Entry criteria

Successful audition, IELTS 6.5 or equivalent and, a BA (Hons) at 2.2 or above or an equivalent academic award, or, a long-term sustained professional career as a performer or creative practitioner. 

Find out more about our entry requirements.

Graduation

A graduation will be arranged by the IAB for all graduating students. Further information is provided directly to graduating students. 

Award Certificate

Degree of Master of Arts in Creative Performance Practice (Acting)

After successfully completing your MA in Creative Performance Practice: (Acting), you will receive a UK university certificate and transcript of studies issued by Liverpool John Moores University.

The certificate wording will state: 

Degree of Master of Arts with (classification) having followed an approved programme of study in Creative Performance Practice (Acting)

MA in Creative Performance Practice
Validated by LJMU
3 academic years
Validated by LJMU
Intensive two-term training
IAB Award Certificate
Request information about our MA IN ACTING